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2015 > 2017
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Les bêtes - 2015" }, { "_tags": [ "Theme" ], "_name": "video2", "_customCSS": ".mbr-figure img, .mbr-figure iframe\n{\n display: block;\n max-width: 700px;\n text-align: center;\n margin: auto;\n}\n\n.mbr-figure .mbr-figure-caption {\n background: #ffffff;\n color: #8c8c8c;\n padding: 1.5rem 0;\n font-family: 'Open Sans', sans-serif;\n text-align: center;\n width: 100%;\n}\n\n", "_anchor": "video2-10k", "_params": { "paddingTop": "2", "paddingBottom": "0", "bgColor": "#fff", "showText": true }, "media": { "image": { "src": "@PROJECT_PATH@/assets/images/christian-berthelot-oculus-4-2000px-1400x1400.jpg", "width": 1400, "link": "", "alt": "", "title": "", "active": true }, "video": { "class": "mbr-embedded-video", "src": "https://www.youtube.com/embed/Tq7p44IA-1U" } }, "text": "OCULUS #4 - Luxure - 2016" }, { "_tags": [ "Theme" ], "_name": "video2", "_customCSS": ".mbr-figure img, .mbr-figure iframe\n{\n display: block;\n max-width: 700px;\n text-align: center;\n margin: auto;\n}\n\n.mbr-figure .mbr-figure-caption {\n background: #ffffff;\n color: #8c8c8c;\n padding: 1.5rem 0;\n font-family: 'Open Sans', sans-serif;\n text-align: center;\n width: 100%;\n}\n\n", "_anchor": "video2-10l", "_params": { "paddingTop": "2", "paddingBottom": "0", "bgColor": "#fff", "showText": true }, "media": { "image": { "src": "@PROJECT_PATH@/assets/images/christian-berthelot-oculus-5-2000px-1400x1400.jpg", "width": 1400, "link": "", "alt": "", "title": "", "active": true }, "video": { "class": "mbr-embedded-video", "src": "https://www.youtube.com/embed/Tq7p44IA-1U" } }, "text": "OCULUS #5 - Napoléon - 2016" }, { "_tags": [ "Theme" ], "_name": "video2", "_customCSS": ".mbr-figure img, .mbr-figure iframe\n{\n display: block;\n max-width: 700px;\n text-align: center;\n margin: auto;\n}\n\n.mbr-figure .mbr-figure-caption {\n background: #ffffff;\n color: #8c8c8c;\n padding: 1.5rem 0;\n font-family: 'Open Sans', sans-serif;\n text-align: center;\n width: 100%;\n}", "_anchor": "video2-10m", "_params": { "paddingTop": "2", "paddingBottom": "0", "bgColor": "#fff", "showText": true }, "media": { "image": { "src": "@PROJECT_PATH@/assets/images/christian-berthelot-oculus-3-2000px-1400x1400.jpg", "width": 1400, "link": "", "alt": "", "title": "", "active": true }, "video": { "class": "mbr-embedded-video", "src": "https://www.youtube.com/embed/Tq7p44IA-1U" } }, "text": "OCULUS #3 - L'As de coeur - 2016" }, { "_tags": [ "Theme" ], "_name": "video2", "_customCSS": ".mbr-figure img, .mbr-figure iframe\n{\n display: block;\n max-width: 700px;\n text-align: center;\n margin: auto;\n}\n\n.mbr-figure .mbr-figure-caption {\n background: #ffffff;\n color: #8c8c8c;\n padding: 1.5rem 0;\n font-family: 'Open Sans', sans-serif;\n text-align: center;\n width: 100%;\n}", "_anchor": "video2-10n", "_params": { "paddingTop": "2", "paddingBottom": "0", "bgColor": "#fff", "showText": true }, "media": { "image": { "src": "@PROJECT_PATH@/assets/images/christian-berthelot-oculus-8-2000px-1400x1400.jpg", "width": 1400, "link": "", "alt": "", "title": "", "active": true }, "video": { "class": "mbr-embedded-video", "src": "https://www.youtube.com/embed/Tq7p44IA-1U" } }, "text": "OCULUS #8 - 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", "text2": "" }, { "_tags": [ "Theme" ], "_name": "content2", "_styles": { "BLOCKQUOTE": { "color": "#7c706b", "font-family": "'Lato', sans-serif", "googleLink": "https://fonts.googleapis.com/css?family=Lato:400,300,700" }, "SPAN": { "color": "#8c8c8c", "font-family": "'Open Sans', sans-serif", "googleLink": "https://fonts.googleapis.com/css?family=Open+Sans:400,300,700", "font-size": "16px" }, "P": { "font-family": "'Open Sans', sans-serif", "googleLink": "https://fonts.googleapis.com/css?family=Open+Sans:400,300,700", "font-size": "16px" } }, "_customCSS": ".lead blockquote\n{\n text-align: justify;\n padding: 10px 0 10px 20px;\n border-left: 0px solid #d0d0d0;\n font-size: 16px;\n position: relative;\n}\n", "_anchor": "content2-19", "_params": { "paddingTop": 1, "paddingBottom": "1", "bgColor": "#ffffff" }, "text": "Ce sont des portraits d’enfants nés par césarienne, qui n’ont que quelques secondes de vie — tous ont survécu.
Ce projet est né d’une réalité : la naissance de mon premier enfant ! Elle s’est déroulée dans l’urgence : l’intervention chirurgicale qui a eu lieu se devait de le sauver lui et sa mère. Quand je l’ai vu pour la première fois, il était ensanglanté, recouvert de cette substance blanchâtre et collante appelée vernix. Il était comme un guerrier qui vient de gagner sa première bataille. Il était comme un ange sorti des ténèbres. Quel bonheur de l’entendre crier.
La naissance par césarienne se déroule au bloc opératoire. Tout commence par une incision. Entre le moment où l’enfant est arraché du ventre de sa mère et celui où il part pour ses premiers soins, il ne s’écoule pas plus d’une minute. Dans cet espace de temps, tout est possible ! C’est un instant unique, décisif, magique ! Il se manifeste pour moi par cette seconde, ce centième de seconde photographique, où l’enfant, Être Humain primitif, pas encore « bébé », s’exprime pour la première fois. Certains semblent apaisés, d’autres hurlent et gesticulent, d’autres ne paraissent pas encore appartenir au monde des vivants. Mais ce qui est sûr, c’est qu’ils sont tous parvenus au terme de cette première étape.
Loin des clichés et des banalités, je souhaitais nous montrer tel que nous sommes quand nous naissons. Peu importe qu’il s’agisse d’un accouchement par césarienne ou par voix naturelle : tout le monde naît nu, dans le sang, les larmes et autres liquides organiques.
Ces photographies sont pour moi la première représentation d’un nouvel Être humain.
" }, { "_styles": { ".mbr-section-title, .mbr-section-subtitle": { "text-align": "center" }, ".mbr-section-title SPAN": { "font-size": "80px", "color": "#000000" }, ".mbr-section-subtitle": { "font-size": "20px" }, ".mbr-section-title": { "font-size": "72px" } }, "_tags": [ "Theme" ], "_name": "header3", "_customCSS": ".mbr-section-title SPAN {\n font-size: 75px;\n}", "_anchor": "header3-16", "_params": { "paddingTop": "2", "paddingBottom": "0", "bgColor": "#ffffff", "showMeta": true }, "title": "CESAR", "meta": "First seconds on earth" }, { "_tags": [ "Theme" ], "_name": "content6", "_styles": { "P": { "text-align": "center", "color": "#8c8c8c" } }, "_anchor": "content6-1c", "_params": { "paddingTop": 1, "paddingBottom": 1, "bgColor": "#ffffff" }, "text1": "Les photographies de la série « CESAR » sont réalisées à la Polyclinique du Littoral à Saint Brieuc et à l'Hôpital Privé des Côtes d'Armor (Bretagne) en collaboration avec le Dr Jean-François Morienval, le Dr Pascal Marre, le Dr Stéphanie Couvreur et le Dr Lucie Bruneau.
La série \"CESAR\" a été récompensée par le prix \"Medicine Unboxed Créative Prize\" en 2015.
2013 > 2016
", "text2": "" }, { "_tags": [ "Theme" ], "_name": "content2", "_styles": { "BLOCKQUOTE": { "color": "#7c706b", "font-family": "'Lato', sans-serif", "googleLink": "https://fonts.googleapis.com/css?family=Lato:400,300,700" }, "SPAN": { "color": "#8c8c8c", "font-family": "'Open Sans', sans-serif", "googleLink": "https://fonts.googleapis.com/css?family=Open+Sans:400,300,700", "font-size": "16px" } }, "_customCSS": ".lead blockquote\n{\n text-align: justify;\n padding: 10px 0 10px 20px;\n border-left: 0px solid #d0d0d0;\n font-size: 16px;\n position: relative;\n}\n", "_anchor": "content2-1a", "_params": { "paddingTop": 1, "paddingBottom": "3", "bgColor": "#ffffff" }, "text": "CESAR is about babies’ portraits. They were all born by caesarean section and are all only a few seconds old. They all survived.
This project originated from a real event: the birth of my first child! It was an emergency caesarean section and the operation was to save him, and his mother. When I saw him for the first time, he was covered in blood and a white substance called vernix. He was like a warrior who had just won his first battle, like an angel out of darkness. What a joy to hear him scream! It was life, and I had the opportunity to photograph it at its beginning.
A caesarean birth takes place in the operating theatre where it all begins with an incision. From the time the baby is torn from the womb to when he is taken for his first treatment, not more than a minute goes by. In this short space of time, anything is possible! It’s a unique moment, decisive and magical! For me, this instance is portrayed in this second, this hundredth of a second in photographical terms, where the child, this primitive human being, not yet a \"baby\", expresses itself for the first time. Some appear quite calm, others scream and gesticulate, and some do not yet seem to belong to the world of the living. But one thing is certain: they have all made it to the end of this first stage.
Far from conveying platitudes and banality, my aim is to portray ourselves as we are when we are born. And whether it be a cesarean delivery, or a natural birth, everyone is born naked, in tears, in blood and in other body fluids.
All these photographs are for me, the first representation of a new human being, during its first second on earth.
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The series \"CESAR\" was awarded the prize \"Medicine Unboxed Creative Prize\" in 2015.
Copyright © 2023 Christian Berthelot Photographe. All rights reserved.
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", "text2": "" }, { "_tags": [ "Theme" ], "_name": "content2", "_customCSS": ".lead blockquote\n{\n text-align: justify;\n padding: 10px 0 10px 20px;\n border-left: 0px solid #d0d0d0;\n font-size: 16px;\n position: relative;\n}\n", "_styles": { "BLOCKQUOTE": { "color": "#8c8c8c", "font-size": "16px" }, "B": { "color": "#8c8c8c" } }, "_anchor": "content2-6y", "_params": { "paddingTop": 1, "paddingBottom": 1, "bgColor": "#ffffff" }, "text": "\"El muerto se ríe del degollado\"\n
\n
Ce qui frappe, c’est de voir le soin et la délicatesse dont Christian Berthelot fait preuve pour nous rappeler que nous sommes enfoncés jusqu’au cou dans la merde.\n
Je pense que s’il avait opté pour une esthétique différente, plus crasseuse, plus négligée, explicitement violente, il unirait sa voix (et sa voix se diluerait) au mugissement de tant d’autres émissaires du chaos terrestre et de l’Apocalypse, destiné aux galeries d’art ou aux salles de cinéma et de théâtre ; s’il avait procédé de la sorte, la parenté entre le contenu et la forme serait si évidente que le résultat ne nous perturberait pas.\n
Berthelot s’efforce de placer et d’éclairer chaque objet de façon précieuse, en composant des natures mortes basées sur des géométries prévisibles, en choisissant pour ses prises de vue des angles qui ont le don de nous calmer ; il soumet ce que lui-même nomme misérable à un traitement qui le rend beau, comme s’il s’agissait d’immortaliser un stylo Mont-Blanc ou un carré Hermès ; et il y a là quelque chose d’ironique, d’amer peut-être, chacun l’interprétera comme il voudra.\n
Aucun d’entre nous n’est disposé à sortir du marécage que bien souvent nous dénonçons, et pourtant nous sommes conscients d’habiter le délire, d’attenter contre le paysage et les passants. Nous savons nous débrouiller là-dedans, je me demande si nous pourrions survivre en dehors. Nous nous sommes désintéressés du réel, et pendant ce temps nous nous en remettons aux desseins de nos trois sorcières personnelles : les harpies qui se cachent dans notre cartable (l’ordinateur portable et, juste à côté, une tablette tactile) plus celle qui habite l’inquiétante noirceur, les profondeurs de notre poche, et qui parfois nous alerte par une sonnerie sournoise de « vieux téléphone ».\n
Nous ne nous voyons pas comme une société suicidaire, et pourtant il s’agit bel et bien d’une immolation à la mode basée sur la volupté sans imagination du XXIème siècle – cet hédonisme organisé et suralimenté en information – qui finit par tourner au suicide fashion, une agonie anesthésiée, une façon de se vider de son sang dans la joie et la bonne humeur, entouré de promotions pour tous les goûts : une escapade dans un des Dix meilleurs hôtels avec Spa et cabines UV pour votre animal de compagnie, ou un brunch dominical à la cafétéria d’un des Cinquante musées d’Europe où vous vous sentirez moderne même si vous ne portez pas de lunettes en écaille ou un Week-end inoubliable au cours duquel vous partagerez le gîte et la marmite d’une tribu Mapuche. Des comme ça, et mieux encore, on en trouve à la pelle sur internet, des milliers de façons d’étrangler toute possibilité de transcendance, pour en finir définitivement avec la dignité.\n
On a vu brûler jusqu’aux racines la notion d’individu. Aujourd’hui, se proclamer individu – se proclamer individu revient à se retrouver sans connexion wifi – est source de terreur.\n
Personnellement, je n’interprète pas cette série de photos comme une dénonciation de quoi que ce soit, je la savoure comme un geste d’humour noir… Il existe une expression populaire en Argentine : « El muerto se ríe del degollado ». Littéralement : « Le mort se moque de l’égorgé ». Oui, le mort se moque de l’égorgé, nous sommes tous dans la merde, nous partageons le même bourbier.\n
Et comme la crasse n’est ni plus ni moins que notre crasse, Christian fait bien, je trouve, de la montrer sous un jour aussi beau. Chacun pense que sa merde est la seule qui n’a pas d’odeur, que sa sueur est comme la rosée sur des pétales de fleurs, que son haleine du matin rappelle la brise de l’Himalaya et que son pet sous la couette pourrait être commercialisé dans des flacons de Chanel N°5.\n
Cette série de photos met l’accent sur la boue qui est la nôtre, celle qui se débat chaque jour dans les medias et à l’Assemblée Nationale et à chaque coin de rue et dans les bars, prise dans une trame visqueuse de mensonges, encore assombrie (je veux parler de la boue) soit par le déjà vu pervers, soit par son contraire, l’outrageusement révoltant, au final rien que des ombres, rien que de l’ignorance, rien que la caverne, rien que Platon, sous l’électricité imposée par la vie, cette âpre propension à continuer poursuivre prolonger enchaîner éterniser engourdir perpétuer conserver et alimenter l’erreur, un enchaînement de courts-circuits qui a débuté avec l’Annonciation du spermatozoïde à l’ovule.\n
L’auteur de ces photos nous offre sa manière (perverse) de comprendre les choses. Je me dis que, dans le fond, il se moque, il sait que parmi nous personne ne prend la Fin du Monde au sérieux, forcément : l’univers tout entier expire avec notre dernier soupir, et tout le reste n’est que mensonge.\n
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Traduction : Christilla Vasserot
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